ARTIST BIOGRAPHY |
1960 born in Feilershammer lives and works in Hamburg, Celle and Dundee, Scotland 1987–1994 Studies of painting and fine arts at Akademie der Bildenden Künste München and at Hochschule für bildende Künste Hamburg 1995–1996 Multimedia Product Manager (Philips Media Germany) since 1996 professional artist and free-lance author since 1999 lecturer at Hochschule für bildende Künste Hamburg, Leuphana Universität Lüneburg, Universität Oldenburg and at Bauhaus Universität Weimar Seit / since 2006 PhD Researcher at Dundee University, Dundee, Scotland GRANTS AND AWARDS 2008 Stipend of the Foundation of Lower Saxony for Media Art, with residency at Edith Russ Site for Media Art, Oldenburg 2001 Scholarship with residency at Duncan of Jordanstone University, Dundee Grant DIE HÖGE, with residency at Internationalen Künstlerinnenhof DIE HÖGE, Högenhausen/Bassum 1997, 1998 and 1999 Grants Künstlerhaus Bethanien, Berlin, of the cities of Berlin and Hamburg 1996/1997 Scholarship DAA D with residency in New York City EXHIBITIONS SINCE 2000 (SELECTION) SOLO EXHIBITIONS 2009 Unlimited Edition, Mejan Labs, Stockholm Originale und andere Fälschungen, Edith-Ruß-Haus für Medienkunst, Oldenburg (cat.) 2007 MuseumShop, Märkisches Museum Witten (cat.) 2006 This is not by me, Magnet Gallery, Manila 2004 Legal Perspective, [plug.in] Forum für Neue Medien, Bale 2001 Networked Reality, Galleri 21, Malmö 2000 Liquid Hacking Laboratory, Kunstverein Nuremberg (cat.) GROUP EXHIBITIONS 2009 International Biennial of Contemporary Graphic Art, Novosibirsk State Art Museum, Novosibirsk 2008 re.act.feminism. performancekunst der 1960er und 70er jahre heute, Akademie der Künste, Berlin Anna Kournikova Deleted by Memeright Trusted System, Hartware MedienKunstVerein, Dortmund (cat.) Kunstmaschinen Maschinenkunst, Museum Tinguely, Bale (cat.) 2007 KunstmaschinenMaschinenkunst, Schirn Kunsthalle, Frankfurt (cat.) Copieren und Verfälschen, Künstlerhaus FRISE, Hamburg 2006 Cyberfem. Feminisms on the Electronic Landscape, Espai d’Art Contemporani de Castelló, Castelló International Meeting on Feminisms and Activisms, Francesca Bonnemaison Centre, Barcelona Arbeit*, Lewis Glucksman Gallery, Cork (cat.) 2005 Connessioni leggendarie, National Library Braidense, Milano (cat.) cut-copy-paste, Cultural Center »La Vénerie«, Brussels Storyrooms – Networks, Narratives and Installations, Museum of Science and Industry, Manchester (cat.) Rhizome, ArtBase 101, New Museum, New York City Changing Territories, Knabstrup Kulturfabrik, Copenhagen (cat.) Arbeit*, Galerie im Taxispalais, Innsbruck (cat.) 2004 City of Women, Festival, Ljubljana Subduktive Massnahmen, ZBO-SdM052004, Bundeskunsthalle, Bonn and Barbarastollen (cat.) Public Library, Wizards of OS Conference, Congresszentrum am Alexanderplatz, Berlin vir_users + mis_users, Museo Nacional Centro de Arte Reina Sofia, Madrid 2003 Habitar en (Punto)net, Espai F, Matar, Barcelona Sammlung zeitgenössischer Kunst der Volksfürsorge Versicherungen, Le Royal Meridien, Hamburg (cat.) Generator, Minories Art Gallery, Colchester, Essex 2002 Generator, Spacex Gallery, Exeter and Liverpool Biennial, Liverpool 2001 Cross Female – Metaphores of the Female in the Art of the 90’s, Kunst- und Kunstgewerbeverein Pforzheim, Pforzheim (cat.) Künstlerbilder, Galerie Mesaoo Wrede, Hamburg Cynet Art, Projekttheater, Dresden (cat.) Observatori, Media Art Festival, Valencia (cat.) Cyberfem Spirit, Edith-Ruß-Haus für Medienkunst, Oldenburg (cat.) 2000 Tenacity – Cultural Practices in the Age of Global Information- and Biotechnologies, Swiss Institute, New York City and Shedhalle, Zurich UFO Strategies, Edith-Ruß-Haus für Medienkunst, Oldenburg (cat.) Real Work, 4. Werkleitz Biennale, Werkleitz (cat.) Cross Female – Metaphern des Weiblichen in der Kunst der 90er Jahre, Künstlerhaus Bethanien, Berlin (cat.) terr@media – Game Patching and Hacking Sublime, Fournos, Center for the Art, Athens LA Freewaves – Festival of Experimental Media Arts, Los Angeles PERFORMANCES 2008 TroubleShooting, Shooting Performance, Akademie der Künste, Hanseatenweg, Berlin 2006 Le chien ne va plus, Phoenix Einkaufszentrum, Hamburg-Harburg 2005 Tweakfest, Hochschule der Künste (HGKZ), Zurich 2004 Automatically generated Authorship, radio play, ORF-Kunstradio, Vienna 2002 Guided tour through hackerland, Chaos Communication Congress, Berlin 1997 Female Extension, Kunsthalle Hamburg, Hamburg 1996 New Media – Old Roles, Computermesse CeBIT, Hannover together with Hanover (project of the group »-Innen plus«) Remote Viewing, Ars Electronica, Linz 1994 information art, Hochschule für bildende Künste, Hamburg 1993 New Woman, Postkartenaktion PROJECTS, CONFERENCES, WORKSHOPS 2008 Who is afraid of Artistic Research? one-day symposium about the epistemology and context of practice-based research, Visual Research Centre, Dundee University, Dundee (together with Lindsay Brown) Sharing Strategies, Arteleku, San Sebastián since 2007 ArtContent24.de, image agency for the repoduction of art, http://www.art-content24.de since 2006 THE THING Hamburg, platform for art and critique, http://thing-hamburg.de 2005–2006 TammTamm – Künstler informieren Politiker (KiP), http://www.tamm-tamm.info since 2004 [echo], mailing list for art, critique and cultural policies in Hamburg 2003 fem snd, Party & Workshop, together with Laurence Rassel and Maya C. Sternel, Melkweg Amsterdam, in collaboration with next5minutes, Amsterdam Sounds Tactical, Workshop, together with Laurence Rassel, in collaboration with transmediale and Podewil Berlin 2001 very Cyberfeminist International, Conference, Lichtmess-Kino, Hamburg 1999 next Cyberfeminist International, Conference, De Unie and Goethe Institut, Rotterdam 1997 first Cyberfeminist International, Conference, Hybrid Workspace, documenta X, Kassel 1997–2001 Old Boys Network, First Cyberfeminist Alliance, http://www.obn.org 1993 Narzissmus in den Medien am Beispiel Fernsehen, Performance, Produzentengalerie Kunstitut, Stuttgart, (project of the group »-Innen«) 1993–1996 women artist group »-Innen« 1992 Penisneidspiele, Contribution for documenta IX, (Art television with van-Gogh TV), Kassel, (project of the group »Women and Technology«) 1992–1993 women artist group »Women and Technology« VIDEOS 2007 The Maximal Unique and its Transformation into the Similar 2006 Spring in Paris, revisiting feminist art #2 Le chien ne va plus, revisiting feminist art #1 I DON’T KNOW, conversation between Cornelia Sollfrank and Andy Warhol, 1968/2006 2005 Public Library, Inke Arns and Florian Cramer (Documentary) 2004 copyright © 2004 cornelia sollfrank Legal Perspective 2000 Have script, will destroy LECTURES since 1997 numerous lectures at universities and art academies, in art and cultural centres and at media and art festivals BIBLIOGRAPHY SINCE 2000 (SELECTION) Complete list at: http://artwarez.org MONOGRAPHS Cornelia Sollfrank (Eds.), net.art generator, including texts by Annette Schindler, Florian Cramer, Ute Vorkoeper, Sarah Cook, Verena Kuni, Nürnberg, 2004 Cornelia Sollfrank (Eds.), very Cyberfeminist International, Berlin, 2001 Cornelia Sollfrank (Eds.), first Cyberfeminist International, Hamburg, 1998 ABOUT CORNELIA SOLLFRANK Maider Zilbeti, Interview with Cornelia Sollfrank, in: ZEHAR, #63, 2008, Arteleku, San Sebastián, pp. 4–11 Alessandro Ludovico, »Copyright Guerilla«, in: neural, #27, 2008, pp. 39–43 Wencke Artschwager »Cornelia_Sollfrank« in: Daniel Becker u.a. (Eds.), Shortguide: Net.art, Universität Hamburg, 2007, pp. 52–61 und http://de.wikipedia.org/wiki/Cornelia_Sollfrank Anne Schreiber, »Where is Cornelia Sollfrank«, in: art.net Magazine, Questionnaire, January 11, 2007 Tone Hansen, »Peter Tamm loves the Navy«, Interview with Cornelia Sollfrank, in: id., What does Public mean?, Oslo, 2006, pp. 110–115 Mark Tribe, »Female Extension«, in: id. and Reena Jana, New Media Art, Köln, 2006, pp. 88–89 Verena Kuni, »Netzwerke«, in: Barbara Lange (Eds.), Geschichte der bildenden Kunst in Deutschland. Vom Expressionismus bis heute, Bd. 8, München, 2006, p. 188 Verena Kuni (in collaboration with Barbara Schrödl and Wiebke von Hinden), »Mediendiskurse«, in: Barbara Lange (Eds.), Geschichte der bildenden Kunst in Deutschland. Vom Expressionismus bis heute, München, 2006, pp. 336–337 Thomas Kaestle, »This is not by me«, in: id. (Eds.), Wer ist die Kunst?, Bielefeld, 2006, pp. 22–23 Thomas Kaestle, »Wem gehört die Kunst? Geistiges Eigentum und keine Ende«, conversation with Cornelia Sollfrank, in: id. (Eds.), Wann ist die Kunst, Bielefeld, 2005, pp. 126–131 Cornelia Sollfrank and Ute Vorkoeper, »I’ll be my mirror«, in: Theresa Georgen u.a. (Eds.), Bühnen des Selbst, Kiel, 2005, pp. 331–344 Jacob Lillemose, »net.art generator«, in: VÆRK 04-05, Changing Territories, Knabstrup Kulturfabrik, Regstrup, 2005, pp. 40–42 Florian Cramer, »Hacking the Art Operating System«, Interview with Cornelia Sollfrank, in: Simon Yuill u.a. (Eds.), Cross-Wired: Communication – Interface – Locality (Transcript), Manchester, 2005, pp. 57–67 Rachel Greene, »Female Extension«, in: id. (Eds.), Internet Art, New York / London, 2004, pp. 83–84 Florian Cramer, »Das Betriebssystem Kunst hacken«, Interview with Cornelia Sollfrank, in: visarte (Eds.), Schweizer Kunst, Bd. 1/02, Zürich, 2002, pp. 19–23 Tilman Baumgärtel, »Hacker sind Künstler – und manche Künstler eben auch Hacker«, Interview with Cornelia Sollfrank, in: id., [net.art] – Neue Materialien zur Netzkunst, Nürnberg, 2001, pp. 158–163 and in: net.art, Petergailis, Riga, 2001, pp. 122–129 Old Boys Network, »obn@zkm«, in: Peter Weibel, Timothy Druckrey (Eds.), net_condition, Cambridge/Mass., 2000, pp. 300–301 Inke Arns, »net.art generator«, in: Werkleitz Gesellschaft e.V. (Eds.), [real work], Werkleitz Biennale 4, Werkleitz, 2000, pp. 142–143 Inke Arns, »net.art generator«, in: Goethe-Institut (Eds.), Update 2.0, München, 2000, pp. 98–101 BY CORNELIA SOLLFRANK Cornelia Sollfrank, »Sandheden om cyberfeminismen« (»The Truth about Cyberfeminism«), in: Jacob Lillemose and Nikolaj Recke (Eds.), vi elsker din computer (we love your computer), The Royal Danish Academy of Fine Arts, Copenhagen, 2008, pp. 296–310 Cornelia Sollfrank, »MuseumShop«, in: Kultursekretariat NRW Gütersloh (Eds.), Knotenpunkte – Sieben KünstlerInnen an sieben Ausstellungsorten in Nordrhein-Westfalen, Köln, 2007, pp. 198–223 Cornelia Sollfrank, »Forward to the Past – The Concept of the »Cultural Lighthouse in Hamburgs Hafencity««, in: Tone Hansen (Eds.), What does Public mean?, Oslo, 2006, pp. 102–109 Cornelia Sollfrank, »copyright © 2004 cornelia sollfrank«, in: Claus Pias (Eds.), Zukünfte des Computers, Zürich / Berlin, 2004, pp. 171–187 Cornelia Sollfrank, »Improved Tele-Vision«, in: Berliner Festspiele Maerz Musik Festival (Eds.), Material Re Material, Berlin, 2003, pp. 24–36 Cornelia Sollfrank, »Not every hacker is a woman«, in: Claudia Reiche, Andrea Sick (Eds.), technics of cyber<>feminism, <mode=message>, Bremen, 2001, pp. 155–165 Cornelia Sollfrank, »Liquid Hacking Laboratory«, in: Matthias Klos u.a. (Eds.), log.buch, Nürnberg, 2000, pp. 178–202 Cornelia Sollfrank »Have script will destroy«, Interview with Clara G. Sopht, in: Barbara Höffer u.a. (Eds.), cross female – Metaphern des Weiblichen in der Kunst der 90er Jahre, Künstlerhaus Bethanien, Berlin, 2000, pp. 92–93 and in: Helene von Oldenburg, UFO-Strategien, Edith-Ruß-Haus für Medienkunst, Oldenburg, 2000, pp. 127–133 |
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